Sleppa leiūarkerfi.

La Biennale di Venezia



The Pavilion of Iceland





La vida es un contratiempo / Life is an offbeat / Lífið er kontrataktur 2007 / Photography, The artists, courtesy Sjónauki


Libia Castro og Ólafur Ólafsson to represent Iceland at the Venice Biennale in 2011


Reykjavík, Iceland, January 13, 2010: The Spanish-Icelandic artist duo Libia Castro & Ólafur Ólafsson have been chosen to exhibit on Iceland’s behalf at the 54th International Art Exhibition - La Biennale di Venezia 2011. Their work is characterized by their at once attentive and critical, analytical and emotional gaze and their interest in identifying the many questions that the present raises. The trans-cultural tendency in today’s world and the complex relationships that spring from it is one of the artist’s main concerns.


Castro, born 1969 in Madrid, and Ólafsson, born 1973 in Reykjavík – based in Rotterdam and Berlin and aptly referred to as “citizens of the world” – met in the Netherlands in 1997 and have been collaborating since. From the outset, their work caught attention in the Netherlands and in Iceland, and soon internationally, earning them in 2009 the third prize of the prestigious Dutch art award Prix de Rome, for their video Lobbyists. Building up a strong body of work using a variety of media, they have developed a conceptual approach with a sense of play, transgression, and inventiveness, often based on intense research into a given subject area.


“Sensitive to the context and to its changes, to the tension and contradictions that pervade a present undergoing perennial redefinition, Libia Castro and Ólafur Ólafsson see art as a way of stimulating and gathering accounts that will allow us to understand places, their character and the lives around us”, as Gabi Scardi, writer and curator at Maxxi Contemporary Art Museum in Rome, put it in a recent article. Thus direct immersion in reality lies at the root of Castro and Ólafsson´s art practice. In the striking audio installation Chapter3: The Noise of Money, exhibited in Museum ASÍ at the Reykjavik Art Festival 2005, they explored watershed changes Icelandic society was undergoing due to the country´s borders opening up to global (financial) markets and consequent migration. Juxtaposing a sound recording from the loud halls of the country’s largest fish processing plant – sounding from speakers through all of the museum, from basement to terrace, including kitchen and toilets – with intimate personal narratives of elderly people and immigrants in Iceland – played out in headphones hanging from trees in the museum´s surrounding garden– creating an intence and challengingly layerd experience.

In 2007 the Málaga Contemporary Art Centre presented an overview of their work with an accompanying catalogue in which the director of CAC Málaga, Fernando Francés, wrote: “With their works, the artists attempt to take the spectator to new realms of reflection and to question truths that are generally accepted as absolute without reasonable doubts ever being raised as to their veracity. Immigration, seasonal employment, cultural differences, the world of work and globalization are [at] the basis of the work of this duo of artists [...] that aims to reflect the world today in all its brilliance and its darkness.”

Following their impressive (musical) video work Caregivers at Manifesta 7 in 2008, they opened a solo show at the Reykjavík Art Museum entitled Everybody is doing what they can. For this exhibition, the artists used the museum space as both a production and presentation site, creating a growing and mesmerizing installation with screens and projections, with video portraits of people from all layers of the social strata, recorded throughout the exhibition, using color lighting, smoke machines, stroboscopes, bed sheets, confetti and other elements, challenging and subverting the idea of a fixed image, or neutral interview. The museum became a space for meditation and contestation.

Castro and Ólafsson tend to work in situ, focusing on finding the stories and the social situations they present in the area where they are to exhibit. They collaborate with CEOs and ministers, as well as with the homeless, with activists, lobbyists or fortune tellers and their “moving perspective” takes them to places such as the streets of Istanbul, the EU offices and the catacombs of Naples. They use white cube museum and gallery spaces, as well as radio, newspapers, TV or the public space as platforms for their works to bridge and infiltrate different contexts, refocusing the social and political sphere.


“With Libia Castro and Ólafur Ólafsson, the Icelandic pavilion in Venice in 2011 will feature an artist duo that has built an impressive roster of international exhibitions and an engaging individual practice that stands out in today’s  art world”, says Christian Schoen, director of the Center for Icelandic Art and Icelandic commissioner for the Biennale 2007 and 2009. “I am extremely excited to follow their trans-cultural approach towards an Icelandic presentation at the Venice Biennale 2011. They are worthy representatives of the contemporary art scene in Iceland, cutting-edge contemporary artists with a significant socio-critical approach.”


The choice of an Icelandic artist for the Biennale is in the hands of a committee that this time included Christian Schoen, Director of the Center for Icelandic Art, Halldór Björn Runólfsson, Director of the National Gallery of Iceland, and the artist Rúrí, who herself exhibited in Venice on Iceland’s behalf in 2003. Two further consultants were brought in to assist in the deliberations: Gunnar J. Arnarson, art critic and lecturer at the Icelandic Academy of the Arts, and Birta Guðjónsdóttir, artist, curator and managing director of The Living Art Museum. The project is overseen by the Center for Icelandic Art, which in turn is funded by the Ministry of Education, Science and Culture.


Artists' website:






Libia Castro & Ólafur Ólafsson to represent Iceland in 2011 (pdf, 300 KB) [Jan 2010]

Libia Castro & Ólafur Ólafsson fara fyrir Íslands hönd á Feneyjatvíæringinn 2011 [Jan 2010]


image [2,3 MB] La vida es un contratiempo / Life is an offbeat / Lífið er kontrataktur 2007
         Photography; The artists, courtesy Sjónauki






On behalf of:


















center For Icelandic Art